1. Being part of SCBWI Team Blog was fantastic! It's a lot of work, but fun and satisfying - especially as so many people came up to me to thank me for the conference blog and all the tweets! And working with Alice Pope , Martha Brockenbrough, Jolie Stekley, Jaime Temairik and Suzanne Young is a joy!
2. There was a lot of talk of beginnings at the writers intensive:
Edward Nearsulmer IV saying "you don't want Hector on the cliff on page one, or on page fifty." But you do need to grab his attention.
And Mary Kole saying "where to begin is the eternal question" in any story, and advising: "for the first moment, establish something and stick with it."
I think a lot about how to start each story I work on, and I'm glad to add these craft gems to my toolkit!
3. Liz Szabla's words on a tight plot: removing one incident will make the whole story crumble (rather than just leaving a hole.) That's very wise!
4. Lois Lowry's point behind her great quote, "give sorrow words."
give happiness words, give jealousy words, give anxiety words, give fear words - take those intense emotions you've experienced in your life, and give them words.
The idea is that if we use our real emotions on the page, then what we write will be true, and inspired. It's the same brilliant point Mo Willems made when he said in the humor panel (speaking about the third and penultimate Knuffle Bunny book)
"Everything in it was a lie, but it was a true story"because it was based on emotions he's had!
This came up during the writers intensive as well, with a fellow writer having the epiphany that the REAL EMOTIONS she was feeling needed to get on the page, and this theme really resonated for me throughout the weekend (and beyond!)
5. Alexandra Cooper assuring us
"Everyone's looking for the next sparking debut."I like that. It's full of hope, on both sides of the equation.
6. Jules Feiffer saying
"If you show you're angry in print, no one will get angry with you." (it's a turn off) "You have to do it seductively and subversively."I thought that was really profound. It kind of fits with my own theory that scenes are more emotional to read when the character doesn't let themselves cry. When they fight it.
Look - I'm on the sign for the LGBTQ in SCBWI panel!
7. Moderating the LGBTQ in SCBWI Chat, from Aaron Hartzler's goose-bump inducing introduction to Ari Lewin and Jim McCarthy's sitting in a giant circle with myself and Aaron and more than 50 conference attendees to talk about and answer questions on including LGBTQ characters and themes in children's literature. And most of all the sense of TRIBE within our SCBWI TRIBE - and how so many attendees hung out and met each other afterwards! A number of people approached me afterwards to thank me and said that the discussion has emboldened them to finally include LGBTQ characters in their current work - and that's so wonderful!
8. Sara Zarr's quoting The War of Art:
"Save the chaos and drama for your books."YES! I love this and believe in it! I would needlepoint it on a pillow if I did that sort of thing. Maybe I'll make it a T-shirt, with a slight shift in P.O.V.: "I'm saving the chaos and drama for my books."
9. Sara Zarr's keynote on living a creative life, and her urging us to "try to lead a mentored life" - a life where we are mentored and we mentor others. I'm amazed and honored at all the informal mentoring I'm fortunate enough to receive: writers and artists well established in their careers - members of SCBWI - reaching out to me, believing in me, advising me and cheering me on. And now, being part of the Nevada SCBWI Mentor Program and being officially mentored by the incredible editor Emma Dryden makes this one resonate even more powerfully for being mentored, and I endeavor to be a mentor to others, too - to kid lit writers and illustrators through my work with SCBWI and, of course, to GLBTQ Teens and their Allies through this blog, the books I'm writing, my speaker visits in schools and my volunteering weekly as an advisor at a local high school's GSA club! Being mentored and mentoring is a beautiful, profound and exciting way to live my creative and overall life.
10. The panel on humor and Lenore Look's insight about the power of humor being like the court jesters of old, enabling the King to look carefully at things that were hard to look at and think about those big, uncomfortable questions.
11. Linda Sue Park's keynote brilliance:
"I stopped thinking about me and starting thinking about the work, and things started to flow."
12. Linda Sue Park's working definition of voice (Rita, we finally have one!)
Voice: The best words in the best order to serve the story.
word choice - for meaning and nuance
word order - for structure and rhythm
and use those tools in service of the story.
13. There was lots of talk about the current changes in the market for kid lit, and how some of the challenges may actually be opportunities, but this one idea I heard twice: Teens are experiencing digital fatigue, and need books to decompress from technology. (Ginger Clark and, well, I apologize that I don't remember the other brilliant speaker who said it, but it is a take on the current market that is really sticking with me.
14. The hanging out moments of community and friends. Thursday night hanging out with Ellen, Alice and Suzanne at the hotel restaurant/bar. So much fun! Friday night doing kid lit drink night and chatting with Mary and Laurie and Joni. Seeing Emma and Esther and David and David and Laurent and Bonnie and Arthur and Mo and so many more friends and colleagues before that - and meeting so many new ones! Saturday night drinks at the hotel bar with Mandy and Tiffany and Jeff and Kim and Linda Sue and a huge group of friends new and old and swapping horrifying food stories. And there's a lesson here for every conference attendee: Don't think of the conference as just the sessions. So many wonderful moments and conversations and connections happen just by being open to the serendipity of bumping into other kid lit folks at the hotel bar. In the lobby. Over a bagel. Now that the New York hotel has a great restaurant bar, it's much more like the Los Angeles conference in that people are hanging out afterwards and connecting.*
15. All the conference attendees who came up to me and told me they've read this blog. And thanked me for doing it. That means so much to me. Thank you.
16: I feel turbo-charged! These SCBWI conferences are career-changers, and I always feel energized about the business, craft and inspiration of this calling to create children's literature. But most of all, I'm reminded that it's the sense of TRIBE, the feeling of belonging to a community, that I value the most. And I'm so grateful to be part of it.
*If your name's not listed above, it doesn't mean I don't think you're fabulous. You are. And I cherished our connection.