Not as a reporter, but as a commenter, I have to weigh in on what has been publicly shared about this. Here's what I understand:
Author Jessica Verday was one of a number of authors whose short stories were slated to be published in an upcoming Anthology edited by Trisha Telep,
"a collection of dark fairy YA stories (with a bit of a romantic edge)."
Last week Jessica announced she has pulled her story, "Flesh Which Is Not Flesh," from the collection. Why?
"I was told that the story I'd wrote, which features Wesley (a boy) and Cameron (a boy), who were both in love with each other, would have to be published as a male/female story because a male/male story would not be acceptable to the publishers."
When I heard that she'd pulled her story rather than let it be heterosexualized, I was unbelievably proud of Jessica for standing up. For having the courage (and conviction) to take the financial hit and the disappointment of not being published in a book she was so excited about, and to instead see the big picture, and say,
"And the message I want to send is this: You don't choose who you fall in love with and you don't choose to be gay.
We're constantly bombarded with messages from sick people who try to tell us that it's a choice or a lifestyle or an agenda. But Wesley and Cameron's story isn't an agenda or an issue. It isn't an "I have to prove something to the world" story. Wesley and Cameron's story is a love story. About one boy who loves another boy so much that when something bad happens to him, he'll do whatever it takes to get him the help he needs.
Just bittersweet, hopeful, first love. And I think the world needs more of that."
Too often these de-gaying events occur silently, and the authors struggle on their own with what seems like a stark choice: be published or stand on principle. It's rare that an author blows the whistle on this kind of homophobia, as Lauren Myracle did in the controversy over Luv Ya Bunches, when Scholastic's Book Fairs told her she'd need to make one of her characters' two moms a normal family - and she said NO. And the 'request' and her refusal and the subsequent fallout got published in School Library Journal. Ultimately, after petitions and uproar (here and elsewhere) the lesbian moms stayed in Luv Ya Bunches, though Scholastic only carries it in their middle school book fairs and it has to be requested for elementary school fairs (it's about 5th grade girls.)
But here's the thing - standing on principle is what changes our world for the better.
Jessica is standing up and calling them on this, and that's great.
But wait, the story gets more interesting.
The next day after Jessica posted on her blog that she was pulling the story, it seems the editor responded saying that she may have been too rash and that the publisher actually would have been okay with it being a gay story as written. (That's at the bottom of the post.)
And then, the publishers, Running Press and Constable & Robinson, responded, offering Jessica to keep the story as is, but also saying that they remained behind the editor 100%. (Go here to read their full responses as published on Jessica's blog, saying they are supportive of GLBTQ writing.) This is from Jessica's blog:
"Would you include your story if the publisher let you keep it as an m/m story?
- I have been asked by the publisher if I would reconsider including it in the anthology due to the fact that they would be perfectly okay with accepting it as-is (meaning m/m, not m/f), but I have said no. I was informed that Trisha Telep would still be the editor for the anthology (and considered the "author"), and due to her preconceived notions, I can't support any of the royalties from this project going to her."
And now, on Monday of this week,
Seanan McGuire, another author with a story slated for the same anthology, announced that they'd pulled their story as well. Seanan wrote:
"In light of the ongoing situation, my own discomfort with this whole thing, and the fact that discriminating on basis of sexual orientation is never okay, I have withdrawn my story from the collection.
I am not withdrawing from this book because I'm not straight. I am withdrawing because of my little sister and her wife, and because of my girlfriend, and because of my best friend, and because of all the other people who deserve better than bullying through exclusion. Thanks to Jessica for bringing this to our attention, and thank you to everyone who has been supportive of my decision to withdraw.
I am sorry this had to be done. I am not sorry that I did it."
I am beyond proud of Seanan for also standing up.
Here's the thing: If enough authors stand together and say "NO!" to this kind of homophobia, it will stop. The cost (in bad publicity) will be too high, and publishers and their editors will have to think twice about these sanitized for the status quo's protection moments. Because the status quo has way too much hate and bullying and exclusion of queer characters and queer love in it.
And Jessica and Seanan are standing up for us all. And I'm cheering them on.
And yet... at the same time, I'm a touch confused about what's going on and I wonder about the path forward.
If this was an organized labor-inspired queer rights moment, I would have thought the goal would be to do what could be done until the editor and publisher agreed to include the queer love story as is.
But, they've done that.
Jessica's ongoing refusal is now based on the editor's continued involvement, which leads me to think there's information about what's going on that I don't have.
But it needs to be said that I want there to be queer stories in anthologies that aren't ALL queer - it's a way to reach kids (like me) who were too deep in the closet to dare pick up an overtly queer book.
Could this perhaps be a teachable moment? Is it possible for the editor to learn from this experience? To look for and include GLBTQ stories in the future anthologies she edits? To become an Ally? Or is the situation beyond saving? Here's the editor's comment to Jessica's post in full, and the statement just released by her (scroll to the bottom of the post), which I copy here:
I sincerely regret the sequence of events which has led to Jessica Verday’s story ‘Flesh Which Is Not Flesh’ being excluded from the forthcoming anthology Wicked Pretty Things. This has been the result of a misunderstanding on my part which is entirely regrettable. Along with publishers Constable & Robinson Ltd, who commissioned the anthology, and Running Press, who are due to co-publish the book in the United States, I fully support LGBTQ issues. I apologise wholeheartedly for any offence that I have caused and offer the assurance that I would not in future reject any story on the grounds that it included a gay (or any LGBTQ) relationship.
I don't know how this is going to ultimately resolve.
But what I do know is that between Jessica and Seanan's three blog posts about this, they've had over 750 comments in the first week. Word is getting out that de-gaying children's and teen literature is NOT okay. That authors won't quietly agree. That editors and publishers will be called on their homophobia.
And that shift in "business as usual" is the best news of all.
What do you all think?
ps - my thanks to Joni and to Mark for making sure I knew about this, so I could share with all of you!